London : The Tower of London
Publisher: Pictorial Post Card Co. (1904-09)
On the back of this card, which was sent to Tasmania, “Post Card” has been crossed out and replaced with a handwritten “Book Post”, so the sender could pay the cheaper rate of a halfpenny for “Printed Matter” rather than the overseas postcard rate of one penny.
Publisher: Siegmund Hildesheimer & Co, London & Manchester (1830-1920)
More cards of the Tower of London here.
The original Tudor Hampton Court Palace was begun by Cardinal Wolsey in the early 16th century, but it soon attracted the attention of Henry VIII, who brought all his six wives here. Surrounded by gorgeous gardens and famous features such as the Maze and the Great Vine, the palace has been the setting for many nationally important events. When William III and Mary II (1689-1702) took the throne in 1689, they commissioned Sir Christopher Wren to build an elegant new baroque palace. Later, Georgian kings and princes occupied the splendid interiors. When the royals left in 1737, impoverished ‘grace and favour’ aristocrats moved in.
Historic Royal Palaces
Building of the palace began in 1515 for Cardinal Thomas Wolsey, a favourite of King Henry VIII. In 1529, as Wolsey fell from favour, the cardinal gave the palace to the king to check his disgrace. The palace went on to become one of Henry’s most favoured residences; soon after acquiring the property, he arranged for it to be enlarged so that it might more easily accommodate his sizeable retinue of courtiers. Along with St James’ Palace, it is one of only two surviving palaces out of the many the king owned. The palace is currently in the possession of Queen Elizabeth II and the Crown. In the following century, King William III’s massive rebuilding and expansion work, which was intended to rival the Palace of Versailles, destroyed much of the Tudor palace. His work ceased in 1694, leaving the palace in two distinct contrasting architectural styles, domestic Tudor and Baroque
In 1796, the Great Hall was restored and in 1838, during the reign of Queen Victoria, the restoration was completed and the palace opened to the public. The heavy-handed restoration plan at this time reduced the Great Gatehouse, the palace’s principal entrance, by two storeys and removed the lead cupolas adorning its four towers.
There are ten statues of heraldic animals, called the King’s Beasts, that stand on the bridge over the moat leading to the great gatehouse. Unlike the Queen’s Beasts in Kew Gardens, these statues represent the ancestry of King Henry VIII and his third wife Jane Seymour. The animals are: the lion of England, the Seymour lion, the Royal dragon, the black bull of Clarence, the yale of Beaufort, the white lion of Mortimer, the White Greyhound of Richmond, the Tudor dragon, the Seymour panther, and the Seymour unicorn. The set of Queens Beasts at the Coronation of Queen Elizabeth II replaced the three Seymour items and one of the dragons by the griffin of Edward III, the horse of Hanover, the falcon of the Plantagenets, and the unicorn of Scotland.