The Tower, Insitute Park, Worcester, USA


The Tower, Insitute Park
Worcester, Mass
c.1910
Publisher: J. I. Williams, Worcester, Mass

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In 1865, Ichabod Washburn and a Templeton, MA tinware entrepeneur, John Boynton, founded the Worcester County Free Institute of Industrial Science. Stephen Salisbury II, who donated a major portion of his land for the Institute, was named the first president of the Institute’s Board of Trustees. The Institute would later be known as Worcester Polytechnic Institute (WPI). The collaboration between Boynton, who taught science, and Washburm who taught vocational skills, led to the university’s philosophy of “theory and practice.”

Stephen Salisbury II and his wife Rebecca Scott Dean had one heir, Stephen Salisbury III (1835-1905) who, like his father, became a wealthy civic leader. In 1887 Stephen III donated 18 acres of his family’s farmland that had once served as pasture to the City of Worcester to become a public park. “Institute Park” would benefit students of the Institute as well as all Worcester citizens. The park operated in the tradition of an Olmstedian landscape park serving as a tranquil refuge against a rapidly industrializing Worcester. Salisbury paid for the park’s upkeep and many of its structures, some of which still stand today. Salisbury limited the implementation of flowers and shrubbery to allow open space on which park visitors could roam.
Friends of Institute Park

The park began as a tract of 18 acres that had once been farmland and pasture. Salisbury took it upon himself to pay for the grading of the land and the construction of many paths that led to every corner of the park. Once completed, many structures were erected on the site. Among these were a boathouse, a tower (see Figure 2-6), a bandstand, a bridge to one of the islands in Salisbury Pond, and four gazebos, all financed by Mr. Salisbury . . . In 1892, Stephen Salisbury III oversaw construction of the Norse Tower. It was almost an exact replica of the Old Stone Windmill in Newport, Rhode Island. The Institute Park tower stood 30 feet high and 23 feet in diameter. The tower was only open for 15 years until a fence was built around it due to its deteriorating condition. It reopened in 1929 after the top 18 feet were torn down and reconstructed, but it was only able to stay open for 10 years because it once again became a hazard

The Stone Tower was “located on the highest point of land directly north of the Polytechnic Institute” . A plateau was built up for the tower to be placed upon. When constructed, the tower was made “from granite-rubble and its walls are upheld by arches which in their turn rest upon piers eight feet in height. The structure itself is twenty-three feet in diameter with a clear elevation of thirty feet. There are three small windows at varying altitudes; and at the top, two gargoyles protrude a considerable distance, discharging rain water upon the rocky bed below. A winding iron stairway inside provides for ascent to the floor at the summit, where will be found seats arranged upon three sides; the space remaining being surrendered to the landing of the stairway”
“Institute Park: A History and a Future”, Leonard J. DelVecchio, Michael Swett & Joel Tarbell, partial fulfillment of the requirements of the Degree of Bachelor of Science, Worcester Polytechnic Institute, 2003, pp. p. 13, 14 & 28

Friends Meetinghouse, Amesbury, USA


Amesbury, Mass. – Interior
Friends Meteing House showing Whittier’s Pew
c.1908
Publisher: Hugh C. Leighton., Manufacturers, Portland, Me

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A group of Friends first met for worship in Amesbury in 1705 on Friend Street. In 1851 the present Meetinghouse was completed. It is in the Greek Revival style and is on the National Register of Historic Places. Amesbury Meeting’s best-known member is John Greenleaf Whittier. Whittier, the famous poet, and social activist served as the clerk of the building committee that supervised construction of the Meetinghouse. A plaque on the end pew of the meetinghouse commemorates Whittier.
Amesbury Quakers

The Amesbury Friends Meetinghouse is located west of downtown Amesbury, on the south side of Friend Street, at the southwest corner of its junction with Greenleaf Street. It is a simple 1+1⁄2-story wood-frame building, with a gabled roof and clapboarded exterior. The main facade is three bays wide, with sash windows flanking a center entrance, and a smaller window in the gable above. The building sides each have three windows. The interior has a vestibule spanning the building width, leading to the main chamber, with a gallery above. The main chamber has movable partitions, which can be raised and lowered by means of pulleys. These facilitate both the conduct of services by the entire congregation, and the conduct of business meetings, which were historically segregated by sex.

The Amesbury congregation of the Society of Friends is the oldest in northeastern Massachusetts, dating to 1657. Initially meeting in what is now southern New Hampshire to avoid persecution by the Puritan authorities of the Massachusetts Bay Colony, they built their first meeting house in 1705. The present building is their fourth, and was completed in 1851. The poet John Greenleaf Whittier, a member of long standing in the congregation and by then already well known, was a leading force on the building committee. The building’s comparatively large size is a reflection of the congregation’s importance as a host of the regional quarterly meetings.[2] From 1851 to 1962, the meetinghouse hosted the Salem Quarterly meeting. The Amesbury Monthly Meeting of Friends is a current thriving congregation, with Meeting for Worship every Sunday at 10 AM. The facing bench displays a small plaque that reads, “Whittier’s Bench.”
Wikipedia.

The Captain’s Well, Amesbury, USA


The Captain’s Well,
Made famous by Whittier,
Amesbury, Mass.
Postmarked 1916

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Amesbury poet, John Greenleaf Whittier, wrote a poem entitled, The Captain’s Well, about the perilous adventures of Captain Valentine Bagley II. While Bagley was a ship’s carpenter, his ship, the Commerce of Boston, was stranded on the coast of Arabia in July of 1792. He and the ship’s crew had to walk through the Arabian Desert to find help. Thirty four started the journey, only eight survived. When Captain Bagley eventually returned to Amesbury, Massachusetts, he fulfilled a promise he had made while suffering in the desert. He had vowed to dig a well for all to use, so that no man should suffer from thirst as he did.

By the time Whittier wrote his poem, in 1889, the well had fallen into disrepair. In the late 1890s, the well was cleaned up, a canopy built over it and a pipe installed to connect it to the town water system. Later, the wooden canopy was replaced by a permanent monument engraved with Whittier’s poem.
The Macy-Colby House

“Pity me, God! for I die of thirst;
Take me out of this land accurst;
“And if ever I reach my home again,
Where earth has springs, and the sky has rain,
“I will dig a well for the passers-by,
And none shall suffer from thirst as I.
. . .
Now the Lord be thanked, I am back again,
Where earth has springs, and the skies have rain,
“And the well I promised by Oman’s Sea,
I am digging for him in Amesbury.”
His kindred wept, and his neighbors said:
“The poor old captain is out of his head.”
But from morn to noon, and from noon to night,
He toiled at his task with main and might;
And when at last, from the loosened earth,
Under his spade the stream gushed forth,
And fast as he climbed to his deep well’s brim,
The water he dug for followed him,
He shouted for joy: “I have kept my word,
And here is the well I promised the Lord!”
The long years came and the long years went,
And he sat by his roadside well content;
He watched the travellers, heat-oppressed,
Paused by the way to drink and rest
“The Captain’s Well”, John Greenleaf Whittier

Boston Public Library, Boston, USA


Public Library, BOSTON, Mass.
Postmarked 1908
Publisher: A. C. Bosselman & Co, New York

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Constructed between 1888 and 1895, the McKim building at the Central Library in Copley Square is the masterpiece of its architect and namesake, Charles Follen McKim of the McKim, Mead & White firm. McKim, along with BPL Trustees, developed partnerships with some of the greatest craftspeople, painters, and sculptors of the 19th century in order to adorn a building that would inspire and elevate its patrons.
Boston Public Library


The Delivery Room, Boston Public Library. | Copyright 1909 by Detroit Publishing Company
Paintings Copyright 1895-1901 by Edwin A. Abbey. This card authorized

1909
Pubisher: Detroit Publishing Company

Now named for the artist who adorned its walls with a mural cycle, the Abbey Room formerly served as the Book Delivery Room, where library patrons would wait for books requested at the desk in Bates Hall. An established illustrator for Harper’s Magazine, Edwin Austin Abbey had comparatively little experience working in oils and had never painted a mural before accepting the library commission in 1893. In 15 panels encircling the Book Delivery Room, he depicted Sir Galahad’s Quest of the Holy Grail, combining multiple versions of the Grail legend. Many 19th- and early 20th- century library patrons would have been familiar with the story of the Grail. Sir Galahad’s red cloak – representing purity – makes the protagonist recognizable throughout the engaging panels as he pursues his quest. American-born Abbey resided and painted his mural panels in England. Once complete, he accompanied the canvases to Boston during two installations, affixing them to the walls using the marouflage technique.
Boston Public Library

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